The Workshop

Old methods, kept on purpose

These trades were solved centuries ago. The tools have not improved much, and neither has the honest way of using them — so the bench here works the way the bench always worked.

Drawn first

Nothing is cut before it is drawn full scale on paper. The cartoon settles proportion, lead lines, and how light will move across the finished piece.

Worked hot and cold

Glass is cut and leaded, iron is drawn out at the anvil, enamel is packed and fired, leather is stitched by hand. One pair of hands, start to finish.

Finished and recorded

Every piece is waxed or patinated, measured, photographed, and written up with its materials before it is wrapped in wool and sent out.

Wide view of a small craft workshop with benches, kiln, and anvil

Process

01
Stained GlassCartoon, Cut, Came
See the pieces
Full-scale cartoon laid out on a workbenchSoldering iron joining lead came on a glass panel
Finished leaded stained glass panel with cobalt border and amber quatrefoil
02
Forge & BenchIron, Silver, Enamel
See the pieces
Blacksmith drawing out glowing iron on an anvilSmall enameling kiln glowing in a dark studio
Finished hand-forged iron trivet with scrolled feet
03
Leather & FinishingStitch, Wax, Keep
See the pieces
Saddle stitching leather with an awlHands waxing and polishing a finished piece
Finished hand-tooled leather journal with brass clasp
04
Bench & SettingEngrave, Set, Fire
See the pieces
Jeweler setting a stone with a graver under a bench lampSilver and enamel pendant resting on dark slate
Finished sterling silver pendant with deep blue enamel center

Bring a room, a measurement, and an idea.

Commissions begin with a conversation and a sketch, not a deposit. If the piece is not right for this bench, I will say so plainly.

Write to the workshop